Ambient music is a music genre that emphasizes tone and atmosphere over traditional music structures or rhythms. A slow form of instrumental music, he uses a repetitive, yet gentle, soothing sound pattern that can be described as a sonic wallpaper to complement or change one's space and to produce a sense of serenity. Intended to relax, the genre is said to evoke "atmospheric", "visual", or "unobtrusive" qualities.
Ambient music focuses on creating an atmosphere or atmosphere through synthesizers and timbral quality, often lacking the presence of a clean composition, beat, or a structured melody. It uses a voice texture layer without the usual musical allegory, it is useful both listening passively and actively. Natural soundscapes are usually included, and the sound of acoustic instruments such as pianos, strings and flutes, among others, can be imitated through synthesizers. According to Brian Eno, one of the pioneers, "ambient music must be able to accommodate many levels of listening attention without enforcing one specifically; it must be as tough as it is attractive."
As a genre, it originated in Great Britain in the 1970s, when new sound-making devices were introduced to wider markets, such as synthesizers. Brian Eno named and popularized ambient music in 1978 with his album Ambient 1: Music for Airports, with a genre that gained popularity in that era. It saw a revival towards the end of the 1980s with home excellence and techno music, cultivating the next cult of the 1990s. Ambient music may have new-age music elements due to the use of instruments (synthesized), and drone music, as some works may use continuous or repetitive records.
The ambient did not achieve massive commercial success, criticized for having a "boring" and "over-intellectual" voice. Nevertheless, it has reached a certain level of recognition throughout the year, especially in the internet age. Because of its relatively open style, ambient music often takes influence from many other genres, ranging from classical music, avant-garde, folk, jazz, and world music, among others.
Video Ambient music
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Brian Eno said in a 2013 interview with The Guardian that "One of the important things about synthesizers is that it comes without luggage.The piano comes with a history of music... when you play an instrument that has no historical background like that you are designing sounds on Basically, you are designing a new instrument.That is what is essentially a synthesizer.This instrument is constantly unfinished.You finish it when you tweak it, and play with it, and decide how to use it.You can combine a number of cultural references into one new thing. "
Eno has been outspoken about the role of the recording studio in ambient music, especially in the freedom it provides in composing sound textures. He noted "When I first started recording I did not have the background of a musician, and in fact it was just because of the recording studio and because of the technology that was there that I could ever become any musician... recording studio lets you become a painter with sound, that's what you do in the studio, you make a picture with sound... "
While the muzak can be seen similar to ambient music in which they are both meant to be heard in the background, Eno explains some important differences between them: "Whereas the existing canned music companies move from the base of the regularizing environment by enveloping their acoustic and atmospheric idiosyncrasies, Ambient Music is meant to improve this. While conventional background music is produced by eliminating all sense of doubt and uncertainty (and thus all genuine interest) of music, Ambient Music maintains this quality and while their intention is to "enlighten" the Environment by adding a stimulus to it's... Ambient music is meant to produce peace and space for thinking. "
Maps Ambient music
History
Origins
As an early twentieth-century French composer, Erik Satie used Dadaist-inspired explorations to create the earliest form of ambient music/background that he labeled "music furniture" ( Musique d'ameublement ). This he describes as the type of music that can be played at dinner to create a background atmosphere for the activity, rather than serving as the focus of attention.
In his own words, Satie is trying to create "music... that will be part of the noise of the environment, will weigh it in. I think of it as a melody, softening the sounds of knives and forks at dinner, not dominating them, not forcing myself. will fill the heavy silence that sometimes falls between friends eating together.This will keep them from attention problems on their own banal comments And at the same time it will neutralize the sounds of the roads so with no care in. into a conversation game.To make music like that is responding to needs. "
1970s
Developed in the 1970s, the ambient comes from an experimental style and oriented to the synthesizer period. Although Jamaica dubbed musicians such as King Tubby, Japanese electronic music composers such as Isao Tomita, Tangerine Dream, Ash Ra Tempel, Cluster, and psychoacoustic soundscapes from the Irv Teibel series Environments, and German bands such as Popol Vuh and Tangerine Dream, precedes him in the creation of ambient music and/or his contemporaries, Brian Eno plays a key role in development and popularization.
The concept of background music or furniture has existed some time before, but only in the 70s was the first created ambient music, incorporating New Age ideals with newly discovered modular synthesizers. Eno went on to record 1975 Music Wisely by remembering this, indicating that it was heard on "a relatively low level, even as far as it often fell below the threshold of listening ability", referring to Satie's quote about his musique d'ameublement.
The impact of the emergence of synthesizers in modern music on the ambient as a genre can not be overstated; such as Ralf Hutter of the earliest electronic pioneer Kraftwerk said in a Billboard 1977 interview: "Electronics are out of state and colors... with electronics are all possible, the only limit is with composers." Outside of the main influence of Brian Eno, musicians and other bands were added to the core of music that developed around the development of "Ambient Music". The Yellow Magic Orchestra develops a different style of electronic ambient music that will later be developed into ambient house music.
Brian Eno is generally credited with coining the term "Ambient Music" in the mid-1970s to refer to music which, as he stated, can be "actively listened with attention or easily ignored, depending on the listener's choice", and which is at "point peak between melody and texture ". "Ambient" is based on the Latin term "ambire", "to surround". Eno, who describes himself as a "non-musician", calls his experiments "care" rather than traditional performances.) And mood music Miles Davis and Teo Macero, especially their 1974 epic work, "He Loved Him Madly" (from Get Up with It ), which Eno wrote, "that part seems to have the 'broadest' qualities I'm pursuing... it's a touchstone I often return."
1990s
In the early 1990s, artists such as The Orb, Aphex Twin, Seefeel, the Irresistible Force, Geir Jenssen's Biosphere and the Higher Intelligence Agency gained commercial success and were referred by the popular music press as ambient house, ambient techno, IDM or simply "ambient ". The ambient compositions are often quite long, longer than the more popular commercial forms of music. The so-called 'Chillout' begins as a term derived from an English ecstasy culture originally applied in a relaxing lounge room outside the main dance floor where ambient, dub and downtempo beats are played to ease the tripped mind.
London scene artists, such as the Aphex Twin (Special: Selected Jobs Selected Volume II , 1994), Global Communications ( 76:14 , 1994), The Future Sound of London ( Lifeforms , 1994, ISDN , 1994), Black Dog ( Transparent Ball Temple , 1993), Autechre ( Incunabula , 1993, Amber , 1994), Boards of Canada, and The KLF's Seminal Chill Out <1990>, all took part in popularizing and diversifying ambient music where it was used as a soothing calm from the intensity of hardcore and popular techno at the time.
2000s-present
In the late 2000s and 2010s, ambient music gained popularity and wide recognition via the Internet, on YouTube, with uploaded snippets, typically in the range of 1 to 8 hours, earning more than millions of clicks. Such videos are usually titled, or commonly known as, "relaxing music", and may be influenced by other music genres. The ambient videos help online listeners with yoga, study, sleep, massage, meditation and get optimism, inspiration, and create a peaceful atmosphere in their rooms or other environments.
Many uploaded ambient videos tend to be influenced by biomesics where they feature natural sounds, though the sounds will be modified with a reverb and delay the unit to make loud sound versions as part of the atmosphere. Such natural sounds often include coastal sounds, rainforests, thunderstorms and rain, among other things with animal vocalizations such as bird songs used as well. Pieces containing binaural beats are common and popular uploads, which provide music therapy and stress management for the listener.
A verified YouTube channel, just like titled Ambient has over 200,000 subscribers. Other verified channels that also publish ambient music include Meditation Relax Music , which has more than 1 million subscribers, Relaxation Relax with 800,000 subscribers, and Relax White Noise with over 500,000 subscribers, among others. iTunes and Spotify have digital radio stations featuring ambient music, most of which are produced by independent labels.
Related genres and descendants
Ambient dub
Ambient dub involves combining dub style genres. It was spearheaded by King Tubby and other Jamaican voice artists from the 1960s through the early 1970s, using DJ-inspired electronical ambient, complete with all inherent degradation, echo, equalization and psychedelic electronic effects. Often features layering techniques and incorporates elements of world music, deep bass lines and harmonic sounds. According to David Toop, "Dub music is like a long echo delay, iterations all the time... change the rational order of music into an ocean of sensation." Notable artists in the genre include Dreadzone, High Intelligence Agency, Orb, Ott, Loop Guru, Woob and Transglobal Underground as well as Banco de Gaia.
The ambient house
Ambient house is a music category founded in the late 1980s that is used to describe acid houses featuring elements of ambient music and atmosphere. Tracks in ambient house genres typically display a four-on-floor tap, synth pads, and vocal samples integrated in atmospheric style. The ambient house tracks generally do not have diatonic centers and feature many inequalities along with synthesized chords. The Dutch Brainvoyager is an example of this genre. Illbient is another form of ambient house music.
The ambient industry
The ambient industry is a hybrid genre of industrial music and ambient; industrial terms used in the original experimental sense, not in the industrial metal sense. The "general" ambient industrial work (if there is such a thing) might consist of changes in harmonic harmony of metal drone and resonance, extreme low frequency and engine noise, perhaps coupled with gongs, percussive rhythms, bullroarers, distorted sounds or anything else. the artist may care for the sample (often processed to the point where the original sample can not be recognized anymore). All works may be based on radio telescope recording, babble of a newborn, or sound recorded through a contact microphone on a telegraph cable.
Ambient pop
Pop ambient is an extension of pop dreams, has a common form and shape for conventional pop, while electronic and atmospheric textures reflect ambitious meditative qualities. This is influenced by krautrock-key melodies, but less abrasive.
Dark ambient
Brian Eno's original vision of ambient music as an unobtrusive musical wallpaper, then blending in with a warm home rhythm and given the quality of the game by Orb in the 1990s, found its opposite in a style known as dark ambient. Populated by a variety of personalities - from older industrial and metal experimentalists (Scorn's Mick Harris, 93-year-old David Tibet, Nurse with Steven Stapleton Wound) to electronic boffins (Kim Cascone/PGR, Psychick Warriors Ov Gaia), Japanese voice artists ( KK Null, Merzbow), and late-life indie rockers (Main, Bark Psychosis) - dark ambient features are low-pitched or completely lost with annoying keyboard grooves, frightening examples, and guitar effects treated. Like most styles related to electronic music/dance of the 90s, it is a very vague term; many artists who enter or leave style with each release in a row. Related styles include ambient industry (see below) and isolation ambientis.
Music space
The music room, also spelled "Spacemusic", includes music from the ambient genre as well as various other genres with certain same characteristics to create a contemplative spaciousness experience.
Musical space ranging from simple to complex sonic textures sometimes lacks conventional melodic, rhythmic, or vocal components, commonly generating a sense of "spatial and emotional imagery continuum", favorable introspection, deepening and floating, sailing or flying sensations.
Spatial music is used by individuals for background enhancement and foreground hearing, often with headphones, to stimulate relaxation, contemplation, inspiration, and generally peaceful moods and sounds. Space music is also a component of many movie soundtracks and is commonly used in the planetarium, as a tool for relaxation and for meditation.
The famous radio show on radio and via satellite
Sirius XM Chill plays ambient, chill out and downtempo electronica.
See also
References
External links
- Ambient music in Curlie (based on DMOZ)
- Ambient Techno on Sound on Sound
- Ambient Music Guide - A complete ambient music resource site
Source of the article : Wikipedia
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